Beschreibung: Alder Body mit Binding und floralem Muster auf der Decke, Yesteryear Amber Colored Back und Amber Colored Maple Neck mit 34" Mensur, Palisandergriffbrett mit Floral Pearl Inlays, Graphtech Sattel, 12" Radius, 20 Bünde, 1 Wilkinson WOPB, 1 WOJB Pickup, 1 Master Volumen-, 2 Tonregler, 1 Blendregler, Gold Hardware, Wilkinson WJBL200 Tuner, Wilkinson WBBC Bridge, Transparentes Pickguard, inkl. Joe Doe Luxury Hardshell Case, Certificate of Authenticity, Case Candy, limitiert auf 100 Stück, Blueburst
The Story
“Punk bass player and visionary artiste Lutetia Seydoux is Anti-establishment, Anti-fascist and some would say Anti-music judging by ’Salut’, her 38 second song of ear piercing screams accompanied by the smashing of Limoges 19th century fine china. You find her music challenging? Well that’s the point, because the world needs people like Lutetia Seydoux otherwise rules are never broken and boundaries are never pushed. The best example of Lutetia’s avant grade approach to music was during her one woman show at the Alores Club, Paris in December 1987. Lutetia turned the gig on its head by throwing her bass guitar into the crowd and demanding that they should perform to her. A riot ensued, multiple arrests were made, and Lutetia felt satisfied that an important piece of performance art had been created.
In 2003 Lutetia was invited to the Prix de la Culture ceremony to receive an award for her contributions to French music, but her expletive ridden acceptance speech meant the honour was quickly retracted (and regretted) by the event organisers.
Shame on them for trying to contain a true visionary. Vive la punk!”.
The Story
“Punk bass player and visionary artiste Lutetia Seydoux is Anti-establishment, Anti-fascist and some would say Anti-music judging by ’Salut’, her 38 second song of ear piercing screams accompanied by the smashing of Limoges 19th century fine china. You find her music challenging? Well that’s the point, because the world needs people like Lutetia Seydoux otherwise rules are never broken and boundaries are never pushed. The best example of Lutetia’s avant grade approach to music was during her one woman show at the Alores Club, Paris in December 1987. Lutetia turned the gig on its head by throwing her bass guitar into the crowd and demanding that they should perform to her. A riot ensued, multiple arrests were made, and Lutetia felt satisfied that an important piece of performance art had been created.
In 2003 Lutetia was invited to the Prix de la Culture ceremony to receive an award for her contributions to French music, but her expletive ridden acceptance speech meant the honour was quickly retracted (and regretted) by the event organisers.
Shame on them for trying to contain a true visionary. Vive la punk!”.